The Liquid art system Store gives you the chance to acquire unique artworks quickly and easily. Take a look at the selection that Liquid art system made for you and discover what's available from our incredible collection: artists and artworks of pure beauty, chosen by our consultants. Our artists' rareties and new production are ready to be part of your world right away.
Our work is based on a few essential values that we have synthesised in a manifesto for the new art: “Trust”, “Passion”, “Experience”, “Responsibility”, are some of the key words that inspire Liquid Art System as business and cultural centre. However, we are sure that before all things there is the magnificence of beauty, the awe and emotion caused by the work of art.
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Well-known internationally, the artists represented by the Liquid art system span the various genres of contemporary art: painting, sculpture, photography, video, and mixed media. Each has his own style, but together they share the search for beauty, color, and visibility.
Liquid Art System have always been committed to nurturing their own artists and to supporting them with exhibitions in their own galleries and especially in the largest exhibitions in museums and public venues in Italy and abroad, aware that the exhibition and its catalogue are the highest point in an artist’s career, when his/her work is judged from a cultural standpoint.
Liquid Art System have been participating in the most important art fairs all over the world for many years. Milan, London, Istanbul, New York and especially Miami, where our most renowned artists are on display every year.
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Fabio Viale

Fabio Viale was born in Cuneo in 1975. He lives and works in Turin.
Artworks
Fabio Viale
More about Fabio Viale
Fabio Viale is today one of the most internationally recognized Italian sculptors, among those who have made "levare," that is, sculpture in marble, their field of action. Viale has been able to introduce the cipher of contemporaneity on forms related to classical art, in a way so personal and impressive that he has become the progenitor of a nouvelle vague of artists in which the citation of tradition is the stimulus for works of absolute beauty and significance. His, however, is never a simple citationism, more typical of the postmodern, if anything, in him is exalted ability to translate the persistence of forms into the narrow contemporary, pursuing a second beauty, identifying a second, further, primarily aesthetic meaning of works that already existed and would seem to have said it all, fulfilling in full their essence. And instead, think of the ancient busts or tattooed fists that are perhaps among his most famous works, or equally famous are the sculptures that look like styrofoam (the Nike or the Skull) and instead are carved in hard marble, or the tires, also in marble, that deceive the viewer's eye so much is the perfection of execution recalling soft rubber.