The Liquid art system Store gives you the chance to acquire unique artworks quickly and easily. Take a look at the selection that Liquid art system made for you and discover what's available from our incredible collection: artists and artworks of pure beauty, chosen by our consultants. Our artists' rareties and new production are ready to be part of your world right away.
Our work is based on a few essential values that we have synthesised in a manifesto for the new art: “Trust”, “Passion”, “Experience”, “Responsibility”, are some of the key words that inspire Liquid Art System as business and cultural centre. However, we are sure that before all things there is the magnificence of beauty, the awe and emotion caused by the work of art.
Spaceman, Filippo_Tincolini
Well-known internationally, the artists represented by the Liquid art system span the various genres of contemporary art: painting, sculpture, photography, video, and mixed media. Each has his own style, but together they share the search for beauty, color, and visibility.
Liquid Art System have always been committed to nurturing their own artists and to supporting them with exhibitions in their own galleries and especially in the largest exhibitions in museums and public venues in Italy and abroad, aware that the exhibition and its catalogue are the highest point in an artist’s career, when his/her work is judged from a cultural standpoint.
Liquid Art System have been participating in the most important art fairs all over the world for many years. Milan, London, Istanbul, New York and especially Miami, where our most renowned artists are on display every year.
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Peter Demetz

Born in Bolzano in 1969, Peter Demetz lives and works in Ortisei.
artworks
Height 145 cm - Width 200x46 cm
2023
Height 90 cm - Width 90x24 cm
2023
Height 92 cm - Width 70x17 cm
2022
Height 55 cm - Width 65x15.5 cm
2020
Height 300 cm – Width 480x100 cm
2014
Peter Demetz
More about Peter Demetz
At international level, Peter Demetz is currently one of the leading sculptors of his generation, not only for his extraordinary technique which reinvented a traditional genre such as woodcarving, by making it totally contemporary, but especially for the beauty in the composition of his works, like the one of a Renaissance painting subjected to the acceleration of modernity. More precisely, Demetz uses the principle of “accelerated solid perspective” typical of the 15th to 17th century architecture, used by Bramante and Palladio, by combining it to the equally ancient “stiacciato” style, that was extraordinarily applied by Donatello, so that the outcome is a 3-D painting where the viewers – although unrelated to the composition – are dragged into the scene by the effect of the perspective to experience the loneliness of the figures with which they are forced to come into contact. Demetz is actually an existentialist artist and pushes the possibilities of the perspective to the extremes to build spaces that, for their nature, are small stages where he makes his characters move appearing in a condition of utter loneliness; characters that show the urge of hidden feelings in the steadiness of their movements, ready to explode and held in the steady restraint of the form: they are about to talk to each other, or they are alone and are looking beyond the rigid and monochromatic background, beyond doors/openings to other rooms that we cannot see, other worlds, other lives, or they simply look at themselves in the mirror, doubling their loneliness even if the mirror does not exist, a line is enough, but the ability of the artist is to deceive our eye and, by misleading us, he misleads them.