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Roberto Ferri at Palazzo Pallavicini

general info
20 October 2022 - 12 March 2023
Palazzo Pallavicini
about exhibition

Bologna 20 October 2022 – 12 March 2023

Great attention full of expectations for the exhibition that Palazzo Pallavicini will dedicate to the artist Roberto Ferri. Fascinating baroque suggestions will enchant visitors who, from 20 October 2022 to 12 March 2023, will cross the halls of the Palace to admire the masterpieces of the greatest exponent of a refined figuration of Caravaggesque suggestion.

The exhibition is curated by Francesca Bogliolo and produced and organized by Pallavicini Srl by Chiara Campagnoli, Deborah Petroni and Rubens Fogacci with the contribution of Liquid art system by Franco Senesi. Sixty unique works – forty oils on canvas and twenty drawings – representative of the visual poetics of the artist Roberto Ferri, find space in the prestigious rooms of Palazzo Pallavicini, open to the public on rare occasions.

The exhibition curated by Francesca Bogliolo, art critic and curator, is produced and organized by Pallavicini Srl by Chiara Campagnoli, Deborah Petroni and Rubens Fogacci with the contribution of Liquid art system by Franco Senesi. Sixty unique works – forty oils on canvas and twenty drawings – representative of the visual poetics of the artist Roberto Ferri, find space in the prestigious rooms of Palazzo Pallavicini, open to the public on rare occasions.

Roberto Ferri

Roberto Ferri has a great painting style that sources from the 17th century tradition, by enhancing the exchange between light and shadow, although inserting modern topics into the ancient style, that is, a dreamlike introspection with a great psychological element – typical of the Surrealism – that discloses the depths of the subconscious and its most obscure mysteries often through an exciting glance. Certainly Ferri is inspired by the Baroque and Caravaggio – especially Caravaggio in his Roman period, the most accomplished one, softer, not yet running away from himself and from life and, therefore, caught up by the frenzy of the end – although he neither merely pursue the tradition nor imitates the style.

Roberto Ferri